Belgian Painter, 1849-1924 Belgian painter. He had various menial jobs before the composer Peter Benoet persuaded his father to let him study at the Koninklijke Academie voor Schone Kunsten in Antwerp. He was taught there by Nicaise De Keyser and Jacob Jacobs (1812-79) but found the atmosphere uncongenial and soon left. In 1879 he travelled around Spain and North Africa and in 1881 went to live with his sister at Waereghem. His painting of this period was influenced by Charles Verlat and depicted rural subjects  Related Paintings of Emile Claus :. | Afternoon Along The River | Poverty | Sunny Day | Tree in the Sun | Cyriel Buysse |
Related Artists:
Paolo Antonio Barbieri
(1603-1649) was an Italian painter who was the brother of Guercino. He was born at Cento, a village near Bologna. The subjects of his pictures are flowers, fruit, and game, but he particularly excelled in painting fish
Simone Martini
1283-1344 Italian Simone Martini Locations He was a major figure in the development of early Italian painting and greatly influenced the development of the International Gothic style. It is thought that Martini was a pupil of Duccio di Buoninsegna, the leading Sienese painter of his time. His brother-in-law was the artist Lippo Memmi. Very little documentation survives regarding Simone's life, and many attributions are debated by art historians. Simone Martini died while in the service of the Papal court at Avignon in 1344. Simone was doubtlessly apprenticed from an early age, as would have been the normal practice. Among his first documented works is the Maest?? of 1315 in the Palazzo Pubblico in Siena. A copy of the work, executed shortly thereafter by Lippo Memmi in San Gimignano, testifies to the enduring influence Simone's prototypes would have on other artists throughout the fourteenth century. Perpetuating the Sienese tradition, Simone's style contrasted with the sobriety and monumentality of Florentine art, and is noted for its soft, stylized, decorative features, sinuosity of line, and unsurpassed courtly elegance. Simone's art owes much to French manuscript illumination and ivory carving: examples of such art were brought to Siena in the fourteenth century by means of the Via Francigena, a main pilgrimage and trade route from Northern Europe to Rome. Simone's major works include the Maest?? (1315) in the Palazzo Pubblico in Siena, St Louis of Toulouse Crowning the King at the Museo di Capodimonte in Naples (1317), the S. Caterina Polyptych in Pisa (1319) and the Annunciation and two Saints at the Uffizi in Florence (1333), as well as frescoes in the Chapel of St. Martin in the lower church of the Basilica of San Francesco d'Assisi. Francis Petrarch became friend with Simone while in Avignon, and two of his sonnets make reference to a portrait of Laura de Noves he supposedly painted for the poet.
Constantin Daniel Stahi
(November 14, 1844 - June 18, 1920) was a Romanian painter and gravure artist. In 1862 he entered the National School of Fine Arts from Iaşi where he was taught by Gheorghe Panaiteanu Bardasare and Gheorghe Şiller. He continued his artistic education in Munich where, for seven years, he studied painting, metal gravure and xylography. He painted still life paintings representing small objects that were surrounding him, such as old books, newspapers, religious items, chairs, shoes, plates and especially fruits. Also, he painted many portraits of famous people of his time (for example Gheorghe Asachi, painted in 1881). Many others of his paintings take inspiration from the simple life in the countryside in idyllic compositions and by painting peasants having as models people living in Bavaria and Moldova regions. Beside his artistic career, he was a professor and, later on, the headmaster of the National School of Fine Arts in Iaşi between 1892 and 1902, following Gheorghe Panaiteanu Bardasare. He died in his house on Bărboi street in Iaşi on June 18, 1920 and was interred at Eternitatea Cemetery.